This time, Mademoiselle Cinema was invited by San Diego Dance Theatre, one of the largest non-profit performing arts organizations in San Diego, California.
In addition to performances, we plan to hold opinion exchange sessions and workshops, providing a forum for communication with local dancers.
We will also be holding showings and workshops at two locations: the San Diego Japanese Christian Church and Kinetissori (the city's only Montessori education institution).
It's been a while since the last "Journey of Dance" has been to America! This will be the only performance in Tokyo before the trip to America! Please support us and come to see us!
Dec.21-22 2024 Okuni in Tokyo Special Site
Feb.- Jul. 2024 Tokyo Mikoshi Special Website
Sep.2023-Mar.2024 Dance Bridge 2023 Special Website
Apr.-Jun. 2023 Boiling Mind 3.0 Special Website
Mademoiselle Cinema is a dance ensemble founded in 1993 by choreographer Naoko Ito, which has been giving several performances every year at Session House in Tokyo. The dances are quite unique and free from traditional styles of modern dance technique, sometimes incorporating theatrical interludes and film clips, resulting in loud acclaim from the audience. As it is often said that the modern age is the age of women, Naoko Ito consciously chooses to use only female dancers to create a piece of work. She attains herself to the stories or memories that each dancer carries within her body rather than in her thoughts, and weaves them into dances which reveal the realities of modern life.
From Kagoshima. She had belonged to Watanabe Modern Dance Company since 1971. In 1987, she began free-lance dancing, and started original activities. In 1991, she established mini-thater "Session House" for performing arts in Tokyo, and She participated in the establishment of "Session house Planning Office", and started operations as a producer of the dance section. In 1993,She founded Mademoiselle Cinema. Moreover, she starts up a lot of program for the young dancer promotion, and is appearing one after another many choreographers who bear the next generation.